The music situation at our parish has not improved at all since Mike wrote about it a few weeks ago. (Well, why would it?) If anything, it is becoming even harder to bear. I usually love singing at Mass, but I can't bring myself to sing most of this stuff at all, much less with any enthusiasm. Last week there was a choir-only song at communion, with the first line "This iiiiiiis, the moment of graaaaaace," which sounded for all the world like a Broadway number. Standard sweeping piano intro, soft start, rousing chorus, etc. A pure performance piece. In fact, when I googled it later, it sounded quite a lot like Jekyll and Hyde's "This is the moment." (Or Spamalot's "The song that goes like this" - heh.) I like Broadway just fine. I don't find it particularly liturgical, though.
This week, in addition to the standard Gloria and Sanctus that involve multiple gratuitous repetitions of, for instance, "blessed is he, blessed is he, blessed is heeee" and "hosanna (ho-sa-ha-na), hosanna (ho-sa-ha-na), hosanna," we had the regular children's liturgy song for children to process out. ("Children, listen to the word of God!" - complete with "Children's!" (tm) type happy piano music.) We also had two hymns that were so awful liturgically that today I was still shaking my head. The first was called "As a fire is meant for burning," text by Ruth Duck, arrangement by Marty Haugen. Misleadingly, the tune was actually a traditional one, but the lyrics involved such choice lines as how we go out into the world "not to preach our creeds or customs, but to build a bridge of care." Gee, I thought the Catholic Church actually cared quite a bit about our creed. Right? We do recite it every week. And "bridge of care"?? The hymn also contained a feel-good reference to being "seekers" and creating oneness "'mid earth's peoples, many hued." You could not come up with a better collection of hippie-type platitudes if you were trying hard to parody it. A bit of research determined that Ruth Duck is exactly who you might come up with if you were trying to create a parody of a hippie-type "womyn's" liturgist. Duck, who very unfortunately actually has an M.A. from Notre Dame, is an ordained UCC minister (hence the no-creed stuff - fits right in with the UCC, which is great, but
not the Catholic Church!) who lives with her "partner" (at least he's a guy) in a liberal Chicago suburb, has written a book about revising the names of the persons of the Trinity to not be so
male, and has made part of her approach to hymns to be to "revise old hymns that would provide an alternative to traditions showing God as exclusively male." I could not roll my eyes any more than I am right now. Her music is used in many denominations, which is great for her, but her theology is clearly not Catholic. I have no idea how this has worked its way into Catholic hymnody.
The second awful hymn yesterday, liturgically speaking, was called, "Let us be bread." This starts off with "Let us be bread . . . life for the world / Let us be wine, love freely poured." Okay. Well, while we are part of the Body of Christ, I'm pretty sure we aren't the bread or wine ourselves. I'm pretty sure that's just Christ. But move on to the first verse: we switch from at least singing in our own persons, to singing in the person of Christ (which we're really not supposed to do), "I am the bread of life, broken for all / Eat now and hunger no more." Back to chorus. Another verse: "See how my people have nothing to eat / Give them the bread that is you." Again, this is a confusion of persons - I'm not even sure if this verse is supposed to be spoken as if Christ was saying to us, or what - ? What is this stuff? Whatever it is, the focus is certainly on
us, much more than on the actual Body and Blood of Christ that we are supposed to be focusing on during the Eucharist. The writer of this hymn actually is Catholic, and unfortunately also has a degree from Notre Dame in music and theology. The focus is just unfortunate - I have to assume it's the same poor catechesis so many of us have had in the last forty years.
Here's the thing - music during Mass is not supposed to be about drawing attention to the choir. It's not supposed to draw automatic applause every week. It's not supposed to be about telling ourselves how great we all are. And it's not supposed to rely on sappy platitudes (contained in treacly musical numbers) that are completely devoid of any theological substance. It's supposed to integrate into the liturgy as part of the prayer and worship, and it's supposed to help us orient ourselves interiorly and exteriorly towards a more reflective, reverent posture in the Mass. I like participating in singing, but not at the expense of abandoning good music and good theology.
In any event, rolling my eyes throughout Mass is not a good posture to be assuming. I know that. So last week I decided to try and do something about it. Even if it eventually comes to nothing, at least I'll have tried! More on this in another post.